Hip Hop Music Culture Essay -- Rap, music and cultural movement

This essay aims to examine the importance of the belt finale in 21st century society. It will begin with consideration of the write up of Hip-Hop, discussing its stylistic adaptations, cultural preferences and concerns, referring to the studies of bare culture by Ellis Cashmore and Mark Neal. within this I will explore the ethnicity and au thuslyticity of the culture, with reference to last eld Popular melody and its Cultural Context unit. The essay will then move on to evaluate the cultures relationship with the media, concentrating on the well documented moral panics associated with the culture I will dispatch particular reference to the theories of Stan Cohen. By studying the political and historical patterns of the culture, I endeavour to discover the overall meaning which the culture has for its members and for society.It is primarily grievous to coin what Hip-Hop is, the dictionary definition describes Hip-Hop asrap (h p h p ) or hip hopnoun. 1. A popular urban you th culture, closely associated with rap harmony and with the modality and fashions of African-American inner-city residents. 2. Rap music. As a culture Hip-Hop includes foursome main categories of expression Mixing, Dancing, Graffiti Art and Rapping, known as MCing. Hip-Hop was graduation recognised in New York around the mid(prenominal) 1970s, considered as a reaction to social movements of the time. In America the 70s and 80s were written report to negative behaviour towards black communities which consisted of Jamaican and Puerto Ricans as well as African-Americans, it was argued that the ruling of Reagan led to this behaviour. Hip-Hop culture was seen as an escape from the blowup of gang violence throughout the 1970s and 80s, providing black American youths with a space for expression, this freedom of speech led to the spreading of Hip-Hop to former(a) cities where black communities suffered. As Tricia Rose states, It satisfies poor young black muckles profound need t o have their territories acknowledged, recognised and celebrated. (Rose, 1994 p.11, cited in Neal, 1997 p.136) The first UK top ten Hip-Hop hit was recorded in 1979 by the Sugar Hill Gang, called Rappers Delight. The recognition of this song noted the uninterrupted exchange of musical ideas between black and white. The atmosphere created between black and white musicians from Britain and America was perfect for the sounds o... ...the Hip-Hop culture will continue. The policing of artists and their music are likely to become stricter, with parental advisory placed on increasingly offensive lyrics and with the boost in crime rates associated with Hip-Hop policing will be more specific. However, I do not reckon that increased awareness and policing of Hip-Hop will lead to the waning of its popularity, if anything I think it will continue to add to the novelty of the culture.BibliographyBaker, H. & Diawara, M. & Lindeborg, R. (1996) Black British Cultural Studies A Reader, University contract ChicagoCashmore, E. (1997) The Black finish Industry, capital of the United Kingdom RoutledgeCohen, P. & Baines, H. (1982) Multi-Racist Britain, London MacmillanCohen, S. (1973) Folk Devils and Moral Panics, St Albans PaladinDyson, M. (1996) Between God and Gangsta Rap, University Press OxfordNeal, M. (1999) Black Popular Music and Black Public Culture What the Music Said, London RoutledgeOliver, P. (1990) Black Music in Britain, University Press Milton KeynesSpringhall, J. (1998) Youth, Popular Culture and Moral Panics, London MacmillanThompson, K. (1998) Moral Panics, London Routledge